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Trovati 167 documenti.

Premieres valses pour piano
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Partitura musicale

Hahn, Reynaldo <1875-1947>

Premieres valses pour piano / Reynaldo Hahn

Paris : Heugel, (stampa 2006)

Suite from The new world
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Partitura musicale

Dvorak, Antonin <1841-1904>

Suite from The new world / Antonin Dvorak ; arranged by Michael Story

Van Nuys, Calif. : Alfred Publishing, ©2006

Belwin young band

Copertina
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Partitura musicale

Corghi, Azio <1937-2022>

Le due Regine : fiaba musicale da un'idea di Dario Moretti : per voce (attrice/cantante), flauto e percussioni (3 esecutori), 2006 / Azio Corghi

Milano : Ricordi ; Sesto Ulteriano, San Giuliano Milanese : BMG publications, ©2006 (stampa 2007)

"d'après ... cinq chansons d'élite
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Partitura musicale

Corghi, Azio <1937-2022>

"d'après ... cinq chansons d'élite [U01] : per violoncello e pianoforte, 2006 / Azio Corghi

Milano : Ricordi ; Sesto Ulteriano, San Giuliano Milanese : Universal Music MGB publications, ©2006 (stampa 2008)

¿Pia?
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Partitura musicale

Corghi, Azio <1937-2022>

¿Pia? [909] : dialogo drammatico-musicale in un atto (2004) / Azio Corghi ; libretto di Azio Corghi liberamente tratto da Il Dialogo nella Palude di Marguerite Yourcenar

[Milano] : Ricordi ; Sesto Ulteriano, San Giuliano Milanese : Universal Music MGB publications, 2006, ©2004

L' Arlesienne
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Partitura musicale

Bizet, Georges <1838-1875>

L' Arlesienne : suites nos. 1 and 2 / Georges Bizet ; edited by Lesley A. Wright

Mainz : Eulenburg, ©2006

Eulenburg audio + score ; 5

Copertina
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Partitura musicale

Melani, Atto <1626-1714>

Complete cantatas / Atto Melani ; edited by Roger Freitas

Middleton : A.R. editions, ©2006

Abstract: This volume presents the complete extant works of Atto Melani (1626–1714), a seventeenth-century singer, composer, diplomat, and spy. All fifteen pieces are chamber cantatas, predominantly for soprano and basso continuo (composed ca. 1655–65). They are certainly the product of a fascinating life: Atto regularly crisscrossed Europe, captivating his many patrons--including Mattias de' Medici, Cardinal Jules Mazarin, Emporer Ferdinand III, Duke Carlo II of Mantua, and Pope Clement IX—as much with his castrato voice as his political acumen. Not surprisingly, perhaps, Atto's cantatas parallel the diversity of his lifestyle, ranging from short strophic songs to vast composite structures, virtual recitative soliloquies to successions of ariosi, amorous laments to satirical assaults on love. Although rooted in the style of Luigi Rossi's circle, the works frequently evince a surprising inventiveness, surely aimed at dazzling Atto's patrons. Indeed, his corpus of works offers an impressive and beautiful snapshot of the Italian cantata just after midcentury. (Fonte editoriale)