0 0
Libri Moderni

Pop fiction

Abstract: Publisher Summary 1. This volume considers how popular music is used in filmmaking. Each of 12 essays offers a close examination of one song within a particular cinematic context. For example, one essay looks at the song "Man of Constant Sorrow," from the film Oh Brother Where Art Thou (2000), as an allusion to the directors' Jewish roots. The contributors are cultural critics and academics representing a variety of disciplines, including film studies, musicology, contemporary art, sociology, and marketing. Distributed in the U.S. by ISBS. Annotation ©2005 Book News, Inc., Portland, OR ( -- Publisher Summary 2. Pop Fiction's unique essays individually consider one song within a cinematic context. Unlike previous collected volumes about pop music in film, where a generalised approach has been adopted, this offers instead a close examination of two pervasive and significant mediums in combination. The collection introspects, assembling the pop song into various guises and documenting how individuals dissemble the multiple roles that the pop song plays in cinematic moments. The song as: role-play, memory trigger, narrator, ghost, marketing device, translator, alienator, membership rite etc. Within this tight structure, an international range of authorities from film, musicology, audio-visual design, contemporary art, cultural studies, sociology, and marketing. All provide fresh insight towards the inter-textual fusion of film and song. Additionally the books form reduces the area of analysis to expose differences and similarities between these contrasting fields of study. Innovative yet accessible, this exciting document would appeal to students, lecturers and researchers offering a diverse set of models with which to investigate the 'ideogram' of image/text/sound—a relationship which sits at the heart of most cultural production. For beginners, the book provides comforting areas of familiarity (pop song and film) while exploring areas of respective discipline and inter-disciplinary practice in an original manner. (Fonte editoriale)

Titolo e contributi: Pop fiction : the song in cinema / edited by Steve Lannin and Matthew Caley

Pubblicazione: Bristol (UK) ; Portland (USA) : Intellect, 2005)

Descrizione fisica: 173 p. ; ill. ; 23 cm

ISBN: 184150078X


Lingua: Inglese (lingua del testo, colonna sonora, ecc.)

Paese: Regno Unito

Note di contenuto:
  • Garibaldi fought here / Dave Beech -- Heavy rotation / Matthew Caley -- Two Jews wander through the Southland / Elizabeth C. Hirschman -- The ambi-diegesis of 'My funny valentine' / Morris B. Holbrook -- Music, masculinity & membership / Ian Inglis -- Fluid figures : how to see ghost(s) / Steve Lannin -- Reap just what you so / Miguel Mera -- Blond abjection : spectatorship & the abject anal space in-between / Phil Powrie -- Always blue : Chet Baker's voice / John Roberts -- From Bond to Blank / Jeff Smith -- Clean reading : the problematics of 'In the air tonight' in Risky business / Robynn J. Stilwell -- Falling into coma / David Toop

Nomi: (Curatore [Editor]) (Curatore [Editor])


Classi: 781.542 LE ARTI - Musica; Musica per film (21)

Dati generali (100)
  • Tipo di data: monografia edita in un solo anno
  • Data di pubblicazione: 2005

Sono presenti 1 copie, di cui 0 in prestito.

Biblioteca Collocazione Inventario Stato Prestabilità Rientra
Biblioteca del Conservatorio di Musica di Vicenza Biblioteca C. 10. 59 CONPED0-20233 Su scaffale Disponibile
Vedi tutti

Ultime recensioni inserite

Nessuna recensione

Codice da incorporare

Copia e incolla sul tuo sito il codice HTML qui sotto.